Different Dreams: Two Models of Interpretation for Three Pairs of Dreams (Genesis 37-50)
It is generally agreed that the motif of dream-pairs is one of the unifying elements of the Joseph narrative. Each scene in question features not one dream but two. Different theories have been proposed regarding the contribution of these dream-pairs to the narrative, and regarding the relationship...
| Autor principal: | |
|---|---|
| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
[2016]
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| En: |
Journal of Biblical literature
Año: 2016, Volumen: 135, Número: 4, Páginas: 717-732 |
| (Cadenas de) Palabra clave estándar: | B
Josefserzählung
/ Sueño
|
| Clasificaciones IxTheo: | HB Antiguo Testamento |
| Otras palabras clave: | B
Joseph (Son of Jacob)
B Bible. Genesis B Dreams in the Bible B Religious Aspects B Christianity B Dream interpretation B Dreams |
| Acceso en línea: |
Volltext (lizenzpflichtig) |
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| 520 | |a It is generally agreed that the motif of dream-pairs is one of the unifying elements of the Joseph narrative. Each scene in question features not one dream but two. Different theories have been proposed regarding the contribution of these dream-pairs to the narrative, and regarding the relationship between the dreams of each pair. Joseph interprets the Pharaoh's two dreams as "one and the same," but he presents a different interpretation for each of the ministers' dreams. The narrative does not explicitly indicate whether Joseph's own dreams share a meaning or have separate meanings; indeed, there are different scholarly approaches to this question. This article proposes that the relationship between Joseph's dreams is a fundamental question in the narrative, and the two models presented later in the story are two possible interpretations between which Joseph himself has the power to choose. | ||
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