The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment

A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ep...

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Veröffentlicht in:Zeitschrift für antikes Christentum
1. VerfasserIn: Hartung, Blake (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: De Gruyter 2018
In: Zeitschrift für antikes Christentum
Jahr: 2018, Band: 22, Heft: 2, Seiten: 296-321
normierte Schlagwort(-folgen):B Ephraem, Syrus 306-373 / Hymne / Sammlung / Autorschaft / Datierung
IxTheo Notationen:CD Christentum und Kultur
KAB Kirchengeschichte 30-500; Frühchristentum
KBL Naher Osten; Nordafrika
weitere Schlagwörter:B Ephrem of Nisibis Syriac Christianity Late Antique Poetry Textual Transmission Authorship
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Zusammenfassung:A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of most of the hymn cycles makes it impossible to date them to a particular time in Ephrem’s career. To hypothesize a date of composition is to assume that Ephrem composed the hymns in that cycle at a particular time and collected them as a unit. Likewise, this paper contends that scholars must be frank about the general lack of historical evidence, which severely challenges our ability to contextualize fourth-century Syriac poetry. The paper concludes by proposing a new approach to questions related to authorship and date of composition, one focused on smaller metrical sub-units (meter-melodies) that comprise the large hymn cycles.
ISSN:1612-961X
Enthält:In: Zeitschrift für antikes Christentum
Persistent identifiers:DOI: 10.1515/zac-2018-0033