The Fleeting Moment: The Sacramental Universe of Music, from the Aesthetic Form to the Empathetic Event
Nowadays, the drama of the incommunicability of the experience of God is perhaps one of the greatest problems that theology must face if it wants to establish a sincere dialogue with contemporary thought. A visit to contemporary theological art, and concretely to music, is an exercise that should be...
Published in: | Review of ecumenical studies, Sibiu |
---|---|
Main Author: | |
Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[publisher not identified]
[2015]
|
In: |
Review of ecumenical studies, Sibiu
|
IxTheo Classification: | CB Christian life; spirituality RD Hymnology |
Further subjects: | B
Empathetic Event
B Theology and Music B Emotion as locus experientiæ B musicological opening B THEOLOGY OF EXPERIENCE B Languages of Transcendence B Aesthetic Form B contemporary musical art B liturgical music B meta-language |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
Summary: | Nowadays, the drama of the incommunicability of the experience of God is perhaps one of the greatest problems that theology must face if it wants to establish a sincere dialogue with contemporary thought. A visit to contemporary theological art, and concretely to music, is an exercise that should be taken into consideration when one wishes to offer a word about God to our world and to men and women of these days. Through this article author wants underline that the relationship between theology and music could reveal itself as a way to discover the mysterious-symbolic presence of God which reveals itself. |
---|---|
ISSN: | 2359-8107 |
Contains: | Enthalten in: Review of ecumenical studies, Sibiu
|
Persistent identifiers: | DOI: 10.1515/ress-2015-0026 |