The Fleeting Moment: The Sacramental Universe of Music, from the Aesthetic Form to the Empathetic Event

Nowadays, the drama of the incommunicability of the experience of God is perhaps one of the greatest problems that theology must face if it wants to establish a sincere dialogue with contemporary thought. A visit to contemporary theological art, and concretely to music, is an exercise that should be...

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Bibliographic Details
Published in:Review of ecumenical studies, Sibiu
Main Author: Piqué i Collado, Jordi-Agustí 1963- (Author)
Format: Electronic Article
Language:English
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Published: [publisher not identified] [2015]
In: Review of ecumenical studies, Sibiu
IxTheo Classification:CB Christian life; spirituality
RD Hymnology
Further subjects:B Empathetic Event
B Theology and Music
B Emotion as “locus experientiæ”
B musicological opening
B THEOLOGY OF EXPERIENCE
B Languages of Transcendence
B Aesthetic Form
B contemporary musical art
B liturgical music
B meta-language
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Summary:Nowadays, the drama of the incommunicability of the experience of God is perhaps one of the greatest problems that theology must face if it wants to establish a sincere dialogue with contemporary thought. A visit to contemporary theological art, and concretely to music, is an exercise that should be taken into consideration when one wishes to offer a word about God to our world and to men and women of these days. Through this article author wants underline that the relationship between theology and music could reveal itself as a way to discover the mysterious-symbolic presence of God which reveals itself.
ISSN:2359-8107
Contains:Enthalten in: Review of ecumenical studies, Sibiu
Persistent identifiers:DOI: 10.1515/ress-2015-0026