Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des Byzantinischen Kantorenchores München = The Orthodox Church Music as a Significant Heritage of Byzantium and its Modern Reception in the West: The Case of the 'Byzantinischer Kantorenchor München'
The Byzantine Music was created within the liturgical life of Orthodoxy and has been developed accordingly in the Eastern Church Worship. Together with the hymnography the Byzantine Music in Orthodoxy has from the beginning taken a central place, especially since there is absolutely no orthodox wors...
Subtitles: | The Orthodox Church Music as a Significant Heritage of Byzantium and its Modern Reception in the West: The Case of the 'Byzantinischer Kantorenchor München' |
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Main Author: | |
Format: | Electronic Article |
Language: | German |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Sciendo
[2015]
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In: |
Review of ecumenical studies
Year: 2015, Volume: 7, Issue: 3, Pages: 447-459 |
IxTheo Classification: | KBB German language area KDF Orthodox Church RD Hymnology |
Further subjects: | B
Hymnography
B Gregorian music B Vocal music B church modes B Ecumenism B Orthodox worship B Ison B instrumental music free B Byzantine music B Hymns |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
Summary: | The Byzantine Music was created within the liturgical life of Orthodoxy and has been developed accordingly in the Eastern Church Worship. Together with the hymnography the Byzantine Music in Orthodoxy has from the beginning taken a central place, especially since there is absolutely no orthodox worship without psalmodic accompaniment. It is one of the most notable achievements in the Byzantine era, for which in the last decades also in Western Europe a great interest is awakened. |
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ISSN: | 2359-8107 |
Contains: | Enthalten in: Review of ecumenical studies
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Persistent identifiers: | DOI: 10.1515/ress-2015-0033 |