Apophatic Theology and Twentieth-Century Novels

Drawing on apophatic theology, this essay argues that some twentieth-century texts invite an apophatic approach by revealing the limits of language and hinting at some understanding of God, without doing so directly. First, Leif Enger's Peace Like a River shows a divine encounter but, in the pr...

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主要作者: Nisly, L. Lamar (Author)
格式: 電子 Article
語言:English
Check availability: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
出版: 2018
In: Religion and the arts
Year: 2018, 卷: 22, 發布: 3, Pages: 316-333
Standardized Subjects / Keyword chains:B Enger, Leif 1961-, Peace like a river / Percy, Walker 1916-1990, Lancelot / Heller, Joseph 1923-1999, Catch-22 / 否定神學 / 小說 / 歷史 1900-2000
Further subjects:B apophatic theology negative theology Leif Enger Walker Percy Joseph Heller Peace Like a River Lancelot Catch-22
在線閱讀: Volltext (Publisher)
實物特徵
總結:Drawing on apophatic theology, this essay argues that some twentieth-century texts invite an apophatic approach by revealing the limits of language and hinting at some understanding of God, without doing so directly. First, Leif Enger's Peace Like a River shows a divine encounter but, in the process, underscores the limits of language to describe this experience. Second, in a sort of parallel to negative theology, Walker Percy’s Lancelot points readers toward God by having Lancelot descend into sin and evil, an affirmation of God through negation. Finally, in Joseph Heller’s Catch-22, a novel without explicit Christian interests, characters parody prayer, rail against the world’s unfairness, and deny God, but in these interactions they actually reveal something about belief and God. These texts reveal that an apophatic understanding can enrich our reading of twentieth-century novels.
實物描述:Online-Ressource
ISSN:1568-5292
Contains:In: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02203003