Here Lies: Sincerity and Insincerity in Early Modern Epitaphs Onstage
In early modern England, theatrical performance was charged with undermining sincerity, while epitaphic writing was praised as upholding it. Given that epitaphs and plays were perceived to occupy contrasting positions with respect to the contemporary discourse surrounding sincerity, it is striking h...
| Главный автор: | |
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| Формат: | Электронный ресурс Статья |
| Язык: | Английский |
| Проверить наличие: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Опубликовано: |
[2017]
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| В: |
Christianity & literature
Год: 2017, Том: 67, Выпуск: 1, Страницы: 50-68 |
| Индексация IxTheo: | CD Христианство и культура TJ Новое время |
| Другие ключевые слова: | B
Ренессанс (мотив)
B Epitaphs B England B DAVIE, Donald, 1922-1995 B Hypocrisy B Sincerity B Драма |
| Online-ссылка: |
Volltext (lizenzpflichtig) |
| Итог: | In early modern England, theatrical performance was charged with undermining sincerity, while epitaphic writing was praised as upholding it. Given that epitaphs and plays were perceived to occupy contrasting positions with respect to the contemporary discourse surrounding sincerity, it is striking how often epitaphs are invoked in the dramas of the period: the preeminently sincere genre within the preeminently insincere genre. I suggest that the epitaphic genre provided dramatists with an unexpected vehicle for exploring the limits of sincerity; the repeated convergence of the two genres provides a kind of mutual critique. |
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| ISSN: | 2056-5666 |
| Второстепенные работы: | Enthalten in: Christianity & literature
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| Persistent identifiers: | DOI: 10.1177/0148333117730434 |
