Reimaging Aesthetics: Sergius Bulgakov on Seeing the Wisdom of Creation
In this essay I resource the philosophy and theology of Sergius Bulgokov, particularly his understanding of divine and human imaging, as a way of mapping human comportment towards the non-human material world in aesthetic terms. By comparing the development of his account of human action from his ea...
Τόπος έκδοσης: | Irish theological quarterly |
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Κύριος συγγραφέας: | |
Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
Γλώσσα: | Αγγλικά |
Έλεγχος διαθεσιμότητας: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Έκδοση: |
Sage
[2018]
|
Στο/Στη: |
Irish theological quarterly
|
Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών: | B
Bulgakov, Sergej Nikolaevič 1871-1944
/ Ανθρωπολογία
/ Θεός (μοτίβο)
/ Σοφία
/ Αισθητική
|
Σημειογραφίες IxTheo: | KAH Εκκλησιαστική Ιστορία 1648-1913, Νεότερη Εποχή KAJ Εκκλησιαστική Ιστορία 1914-, Σύγχρονη Εποχή KDF Ορθόδοξη Εκκλησία NBC Δόγμα του Θεού NBE Ανθρωπολογία |
Άλλες λέξεις-κλειδιά: | B
Divine Sophia
B Bulgakov B Creation B Images B Aesthetics |
Διαθέσιμο Online: |
Volltext (Verlag) |
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520 | |a In this essay I resource the philosophy and theology of Sergius Bulgokov, particularly his understanding of divine and human imaging, as a way of mapping human comportment towards the non-human material world in aesthetic terms. By comparing the development of his account of human action from his early Philosophy of Economy and his later dogmatic theology, I seek to render less disconcerting an ambiguity in Bulgakov's work regarding human activity toward nature by contextualizing his early political philosophy within his later dogmatics. I argue that his later Trinitarian and Christological context more aptly suggests ways of viewing human action toward nature as aesthetic action animated by the perception of divinely created beauty. I then turn to Bulgakov's views on iconographic art in order to show some theologically informed constraints and limits to aesthetic judgment and human creativity in the practice of iconographic writing that accord with Bulgakov's broader theological anthropology. | ||
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