Dread Hermeneutics: Bob Marley, Paul Ricœur and the Productive Imagination

This article presents Paul Ricœur's hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno's u...

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Bibliographic Details
Published in:Black theology
Main Author: Duncanson-Hales, Christopher J. (Author)
Format: Electronic Article
Language:English
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Published: Routledge, Taylor and Francis Group [2017]
In: Black theology
IxTheo Classification:AZ New religious movements
KBR Latin America
TK Recent history
VB Hermeneutics; Philosophy
Further subjects:B Rastafari
B parabolization
B Mortimo Planno
B Paul Ricœur
B productive imagination
B iconic augmentation of reality
B Bob Marley
B Metaphorization
Online Access: Presumably Free Access
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Summary:This article presents Paul Ricœur's hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno's unpublished text, Rastafarian: The Earth's Most Strangest Man, and the religious and biblical signification from the music of his most famous postulate, Bob Marley, this article applies Paul Ricœur's schema of the religious productive imagination to conceptualize the metaphoric transfer from text to life of verbal and iconic images of Rastafari's hermeneutic of word, sound and power. This transformation is accomplished through what Ricœur terms the phenomenology of the iconic augmentation of reality. Understanding this semantic innovation is critical to understanding the capacity of the religious imagination to transform reality as a proclamation of hope in the midst of despair.
ISSN:1743-1670
Contains:Enthalten in: Black theology
Persistent identifiers:DOI: 10.1080/14769948.2017.1326741