Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War
The late Cold War saw the advent of a new paradigm of woman as hero in apocalyptic English-language science fiction film at its intersection with the horror and action sub-genres. In contrast to the helpless, villainous, and overly sexualized female characters before them, the Alien films' Elle...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2016]
|
| In: |
Implicit religion
Year: 2016, Volume: 19, Issue: 3, Pages: 347-370 |
| Standardized Subjects / Keyword chains: | B
The Terminator
/ Alien (Film series)
/ Apocalypticism
/ Heroine
|
| Further subjects: | B
Apocalypticism
B Science fiction films B Film B Secularization B Gender B Implicit Religion B Sarah Connor B CONNOR, Sarah (Fictitious character : Cameron & Hurd) B Cold War, 1945-1991 B Science Fiction B Salvation B Cold War B Ellen Ripley B Feminism B Ridley Scott B Women heroes B RIPLEY (Fictitious character) B James Cameron |
| Online Access: |
Volltext (doi) |
