An Unlikely Retelling of the Incarnation Through Faerie and Pop Culture: Ernest Saves Christmas
A goofy Christmas flick makes an oblique reference to Christ, raising the question of what, if anything, Santa Claus, elves, and Christmas kitsch have to do with Christ's incarnation and nativity. I suggest that, through the vehicle of fairy-story, the film Ernest Saves Christmas, does, in fact...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Routledge, Taylor and Francis Group
[2015]
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| In: |
Practical theology
Year: 2015, Volume: 8, Issue: 3/4, Pages: 245-249 |
| IxTheo Classification: | CD Christianity and Culture KAJ Church history 1914-; recent history |
| Further subjects: | B
Incarnation
B Christmas B Santa Claus B Nativity B fairy-story |
| Online Access: |
Volltext (Verlag) |
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| 520 | |a A goofy Christmas flick makes an oblique reference to Christ, raising the question of what, if anything, Santa Claus, elves, and Christmas kitsch have to do with Christ's incarnation and nativity. I suggest that, through the vehicle of fairy-story, the film Ernest Saves Christmas, does, in fact, shed light on matters of belief, miracles, and morality - matters central to the incarnation. Even as told by Hollywood, Santa Claus is a fairy-story borrowing wonder and mystery from the Christ event itself. | ||
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