The Play of Shadows in Japanese Cinema
The medieval Japanese Buddhist-inspired aesthetic concept of yūgen emphasizes the absence of light, movement, and form in order to create a sense of deep but non-discursive meaning. This pre-modern concept can be applied to the film Rashomon to appreciate how the movie uses light and shadow to point...
| 主要作者: | |
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| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| 出版: |
[2015]
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| In: |
Material religion
Year: 2015, 卷: 11, 發布: 4, Pages: 507-525 |
| Further subjects: | B
Shadows
B yūgen B Hirokazu Kore'eda B Akira Kurosawa B Light B Emptiness B non-diegetic B yin |
| 在線閱讀: |
Volltext (Publisher) |
