The Play of Shadows in Japanese Cinema
The medieval Japanese Buddhist-inspired aesthetic concept of yūgen emphasizes the absence of light, movement, and form in order to create a sense of deep but non-discursive meaning. This pre-modern concept can be applied to the film Rashomon to appreciate how the movie uses light and shadow to point...
| Autor principal: | |
|---|---|
| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
[2015]
|
| En: |
Material religion
Año: 2015, Volumen: 11, Número: 4, Páginas: 507-525 |
| Otras palabras clave: | B
Shadows
B yūgen B Hirokazu Kore'eda B Akira Kurosawa B Light B Emptiness B non-diegetic B yin |
| Acceso en línea: |
Volltext (Publisher) |
