The Play of Shadows in Japanese Cinema
The medieval Japanese Buddhist-inspired aesthetic concept of yūgen emphasizes the absence of light, movement, and form in order to create a sense of deep but non-discursive meaning. This pre-modern concept can be applied to the film Rashomon to appreciate how the movie uses light and shadow to point...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
[2015]
|
| In: |
Material religion
Year: 2015, Volume: 11, Issue: 4, Pages: 507-525 |
| Further subjects: | B
Shadows
B yūgen B Hirokazu Kore'eda B Akira Kurosawa B Light B Emptiness B non-diegetic B yin |
| Online Access: |
Volltext (Verlag) |
MARC
| LEADER | 00000caa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1570207186 | ||
| 003 | DE-627 | ||
| 005 | 20180228085200.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 180227s2015 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.1080/17432200.2015.1103480 |2 doi | |
| 035 | |a (DE-627)1570207186 | ||
| 035 | |a (DE-576)500207186 | ||
| 035 | |a (DE-599)BSZ500207186 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |e VerfasserIn |0 (DE-588)1064761011 |0 (DE-627)814761046 |0 (DE-576)420706488 |4 aut |a Cho, Francisca | |
| 109 | |a Cho, Francisca | ||
| 245 | 1 | 4 | |a The Play of Shadows in Japanese Cinema |c Francisca Cho (Georgetown University, Washington, D.C) |
| 264 | 1 | |c [2015] | |
| 300 | |b Illustrationen | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a The medieval Japanese Buddhist-inspired aesthetic concept of yūgen emphasizes the absence of light, movement, and form in order to create a sense of deep but non-discursive meaning. This pre-modern concept can be applied to the film Rashomon to appreciate how the movie uses light and shadow to point to the necessity of abandoning intellectual knowledge in order to move towards moral action. The yūgen concept is also instantiated in the way the film Maborosi uses shadows to create stunning images that form an alternative perception of the world beyond conventional human concerns. | ||
| 650 | 4 | |a Emptiness | |
| 650 | 4 | |a Akira Kurosawa | |
| 650 | 4 | |a Hirokazu Kore'eda | |
| 650 | 4 | |a Light | |
| 650 | 4 | |a non-diegetic | |
| 650 | 4 | |a Shadows | |
| 650 | 4 | |a yin | |
| 650 | 4 | |a yūgen | |
| 773 | 0 | 8 | |i Enthalten in |t Material religion |d Abingdon : Taylor & Francis, 2005 |g 11(2015), 4, Seite 507-525 |h Online-Ressource |w (DE-627)490718434 |w (DE-600)2192970-1 |w (DE-576)273875507 |x 1751-8342 |7 nnns |
| 773 | 1 | 8 | |g volume:11 |g year:2015 |g number:4 |g pages:507-525 |
| 856 | 4 | 0 | |u https://doi.org/10.1080/17432200.2015.1103480 |x Verlag |3 Volltext |
| 936 | u | w | |d 11 |j 2015 |e 4 |h 507-525 |
| 951 | |a AR | ||
| ELC | |a 1 | ||
| ITA | |a 1 |t 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 3001028130 | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1570207186 | ||
| LOK | |0 005 20180227083710 | ||
| LOK | |0 008 180227||||||||||||||||ger||||||| | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a ixzo | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||