Divine Provision and the “Preternatural Imagination” of Edward Burne-Jones in the Mosaics of “The American Church” in Rome
This essay examines the multiplicity of ways the building and decoration of the American church of St. Paul’s Within-the-Walls in Rome signaled the dawning of a “new age,” politically and spiritually, as the first Protestant church constructed within the city of Rome, initiated immediately after the...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
2018
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| Στο/Στη: |
Religion and the arts
Έτος: 2018, Τόμος: 22, Τεύχος: 1/2, Σελίδες: 135-175 |
| Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών: | B
Saint Paul's-within-the-Walls (Ρώμη (μοτίβο))
/ Burne-Jones, Edward Coley 1833-1898
/ Θρησκευτική τέχνη
/ Ψηφιδωτό
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| Άλλες λέξεις-κλειδιά: | B
Edward Burne-Jones
nineteenth-century mosaics
mosaic revival
Pre-Raphaelites
St. Paul’s Within-the-Walls, Rome
The American Church in Rome
divine provision
preternatural imagination
Annunciation
Tree of Life
Heavenly Jerusalem
Earthly Paradise
The Church Militant
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| Διαθέσιμο Online: |
Volltext (Publisher) |
| Σύνοψη: | This essay examines the multiplicity of ways the building and decoration of the American church of St. Paul’s Within-the-Walls in Rome signaled the dawning of a “new age,” politically and spiritually, as the first Protestant church constructed within the city of Rome, initiated immediately after the city was freed from papal rule in 1870. The mosaics, designed by Pre-Raphaelite artist Edward Burne-Jones and completed with the help of his assistant Thomas Rooke in the decades that follow, present Christ, and the Church in particular, as sources of divine sustenance and verdant life in the barren wilderness of this world. But it is the splendor of their design and the material magnificence of the mosaics themselves that create the first powerful and most lasting impact. Viewed through the lens of what P. T. Forsyth described as the “preternatural imagination” of Burne-Jones, these mosaics are distinctly contemporary works deeply rooted in religious and artistic tradition that address the transitional times for which they were made. |
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| Φυσική περιγραφή: | Online-Ressource |
| ISSN: | 1568-5292 |
| Περιλαμβάνει: | In: Religion and the arts
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| Persistent identifiers: | DOI: 10.1163/15685292-02201015 |
