Paradise City

In a century defined by the rise of cities, the early nineteenth-century painter John Martin broke artistic precedents and represented heavenly Paradise as a space premised on urban living. Though he did not entirely reject the more traditional conception of Paradise as a garden, he merged the rural...

Полное описание

Сохранить в:  
Библиографические подробности
Главный автор: Coltrin, Chris (Автор)
Формат: Электронный ресурс Статья
Язык:Английский
Проверить наличие: HBZ Gateway
Journals Online & Print:
Загрузка...
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Опубликовано: 2018
В: Religion and the arts
Год: 2018, Том: 22, Выпуск: 1/2, Страницы: 58-78
Нормированные ключевые слова (последовательности):B Martin, John 1789-1854 / Рай (мотив) / Город (мотив) / Культура (мотив)
Другие ключевые слова:B John Martin Paradise City of God Celestial City urban heaven New Jerusalem
Online-ссылка: Volltext (Publisher)
Описание
Итог:In a century defined by the rise of cities, the early nineteenth-century painter John Martin broke artistic precedents and represented heavenly Paradise as a space premised on urban living. Though he did not entirely reject the more traditional conception of Paradise as a garden, he merged the rural vision of Paradise with urban structures and spaces. Martin’s widespread popularity, combined with the contentious discourses regarding the nature of the city, ensured that his representations engaged a set of public debates regarding the nature of urban life in profound ways. Martin’s paintings and prints suggested that God not only tolerates cities, but that God builds them and resides in them. In essence, his paintings and prints revealed an urban heaven that helped make a political and religious case for urban life in general.
Объем:Online-Ressource
ISSN:1568-5292
Второстепенные работы:In: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02201003