Paradise City

In a century defined by the rise of cities, the early nineteenth-century painter John Martin broke artistic precedents and represented heavenly Paradise as a space premised on urban living. Though he did not entirely reject the more traditional conception of Paradise as a garden, he merged the rural...

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Bibliographische Detailangaben
1. VerfasserIn: Coltrin, Chris (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Veröffentlicht: 2018
In: Religion and the arts
Jahr: 2018, Band: 22, Heft: 1/2, Seiten: 58-78
normierte Schlagwort(-folgen):B Martin, John 1789-1854 / Paradies / Stadt / Kultur
weitere Schlagwörter:B John Martin Paradise City of God Celestial City urban heaven New Jerusalem
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Beschreibung
Zusammenfassung:In a century defined by the rise of cities, the early nineteenth-century painter John Martin broke artistic precedents and represented heavenly Paradise as a space premised on urban living. Though he did not entirely reject the more traditional conception of Paradise as a garden, he merged the rural vision of Paradise with urban structures and spaces. Martin’s widespread popularity, combined with the contentious discourses regarding the nature of the city, ensured that his representations engaged a set of public debates regarding the nature of urban life in profound ways. Martin’s paintings and prints suggested that God not only tolerates cities, but that God builds them and resides in them. In essence, his paintings and prints revealed an urban heaven that helped make a political and religious case for urban life in general.
Physische Details:Online-Ressource
ISSN:1568-5292
Enthält:In: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02201003