Visual and Ideological Context of the Chalke Inscription at the Entrance to the Great Palace of Constantinople
This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative rec...
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Brill
2017
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| Em: |
Scrinium
Ano: 2017, Volume: 13, Número: 1, Páginas: 19-42 |
| Classificações IxTheo: | CE Arte cristã CG Cristianismo e política KAD Alta Idade Média KBK Europa oriental |
| Outras palavras-chave: | B
Byzantine Iconoclasm
Chalke
Patriarch Germanus
John of Damascus
Transfiguration
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| Acesso em linha: |
Presumably Free Access Volltext (Verlag) |
| Resumo: | This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative reconstruction of the Transfiguration scene which the inscription might have accompanied is proposed, and the wider exegetical context of the Transfiguration, primarily, the interplay of the theological ideas of the Crucifixion, Resurrection, and Second Coming of Christ, embedded in this event are examined against the doctrines of the Byzantine Iconoclasts.
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| ISSN: | 1817-7565 |
| Obras secundárias: | In: Scrinium
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| Persistent identifiers: | DOI: 10.1163/18177565-00131p05 |