Visual and Ideological Context of the Chalke Inscription at the Entrance to the Great Palace of Constantinople
This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative rec...
| Publié dans: | Scrinium |
|---|---|
| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2017
|
| Dans: |
Scrinium
|
| Classifications IxTheo: | CE Art chrétien CG Christianisme et politique KAD Haut Moyen Âge KBK Europe de l'Est |
| Sujets non-standardisés: | B
Byzantine Iconoclasm
Chalke
Patriarch Germanus
John of Damascus
Transfiguration
|
| Accès en ligne: |
Accès probablement gratuit Volltext (Verlag) |
| Résumé: | This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative reconstruction of the Transfiguration scene which the inscription might have accompanied is proposed, and the wider exegetical context of the Transfiguration, primarily, the interplay of the theological ideas of the Crucifixion, Resurrection, and Second Coming of Christ, embedded in this event are examined against the doctrines of the Byzantine Iconoclasts.
|
|---|---|
| ISSN: | 1817-7565 |
| Contient: | In: Scrinium
|
| Persistent identifiers: | DOI: 10.1163/18177565-00131p05 |