Visual and Ideological Context of the Chalke Inscription at the Entrance to the Great Palace of Constantinople
This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative rec...
| Published in: | Scrinium |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2017
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| In: |
Scrinium
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| IxTheo Classification: | CE Christian art CG Christianity and Politics KAD Church history 500-900; early Middle Ages KBK Europe (East) |
| Further subjects: | B
Byzantine Iconoclasm
Chalke
Patriarch Germanus
John of Damascus
Transfiguration
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| Online Access: |
Presumably Free Access Volltext (Verlag) |
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| 520 | |a This article revisits an inscription on the Bronze Doors of the Imperial Palace in Constantinople and addresses the problem of its dating as well as the ideological and theological meaning of the inscription in the wider spatial and symbolical context of Late Antique gate decoration. A tentative reconstruction of the Transfiguration scene which the inscription might have accompanied is proposed, and the wider exegetical context of the Transfiguration, primarily, the interplay of the theological ideas of the Crucifixion, Resurrection, and Second Coming of Christ, embedded in this event are examined against the doctrines of the Byzantine Iconoclasts. | ||
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