Rejecting the Ethnic Community in Little Caesar, The Public Enemy, and Scarface
Film scholars commonly suggest that the 1930s American movie gangster represented marginalized Italian and Irish-American film-goers, and that these gangsters provided a visual and aural outlet for ethnic audience frustrations with American societal mores. However, while movie gangsters clearly stru...
| Published in: | The journal of religion and film |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2016
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| In: |
The journal of religion and film
|
| Standardized Subjects / Keyword chains: | B
Little Caesar
/ Public enemy (Film)
/ Scarface (Film)
/ Hero
/ Gangster
/ national minority
/ Affiliation with
/ Rejection of
|
| IxTheo Classification: | KBQ North America KDB Roman Catholic Church ZB Sociology ZG Media studies; Digital media; Communication studies |
| Further subjects: | B
Little Caesar
B Film B Public Enemy B Scarface B Catholicism |
| Online Access: |
Volltext (kostenfrei) |