Films and Religion: An analysis of Aamir Khan’s PK
Every year, the Indian film industry produces the highest number of films in the world and also figures at the top position for ticket sales, but that does not make the society completely tolerant of how different issues are represented in films. That is a question which PK (2014), the biggest Bolly...
| Autres titres: | The 2015 International Conference on Religion and Film in Istanbul |
|---|---|
| Auteurs: | ; |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2016
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| Dans: |
The journal of religion and film
Année: 2016, Volume: 20, Numéro: 1, Pages: 1-29 |
| Sujets / Chaînes de mots-clés standardisés: | B
PK
/ Hirani, Rajkumar 1962-
/ Inde
/ Syncrétisme
/ Religion
/ Satire
|
| Classifications IxTheo: | AX Dialogue interreligieux BK Hindouisme KBM Asie ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication |
| Sujets non-standardisés: | B
Aamir Khan
B portrayal of Religion B Ghar Wapsi B PK film B Bollywood B India |
| Accès en ligne: |
Volltext (Verlag) |