Films and Religion: An analysis of Aamir Khan’s PK
Every year, the Indian film industry produces the highest number of films in the world and also figures at the top position for ticket sales, but that does not make the society completely tolerant of how different issues are represented in films. That is a question which PK (2014), the biggest Bolly...
| Otros títulos: | The 2015 International Conference on Religion and Film in Istanbul |
|---|---|
| Autores principales: | ; |
| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Journals Online & Print: | Gargar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado: |
2016
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| En: |
The journal of religion and film
Año: 2016, Volumen: 20, Número: 1, Páginas: 1-29 |
| (Cadenas de) Palabra clave estándar: | B
PK
/ Hirani, Rajkumar 1962-
/ India
/ Sincretismo
/ Religión
/ Sátira
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| Clasificaciones IxTheo: | AX Relaciones inter-religiosas BK Hinduismo KBM Asia ZG Media studies; Digital media; Communication studies |
| Otras palabras clave: | B
Aamir Khan
B portrayal of Religion B Ghar Wapsi B PK film B Bollywood B India |
| Acceso en línea: |
Volltext (Verlag) |