Iranian Women, Iranian Cinema: Negotiating with Ideology and Tradition
Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and challenges. In this historical context, Iranian women’s body, sexuality, and individuality have been confined within the constitution of religion and tradition. In recent years, how...
Κύριος συγγραφέας: | |
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Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
Γλώσσα: | Αγγλικά |
Έλεγχος διαθεσιμότητας: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Έκδοση: |
2015
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Στο/Στη: |
The journal of religion and film
Έτος: 2015, Τόμος: 19, Τεύχος: 1, Σελίδες: 1-26 |
Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών: | B
Iran
/ Ιδεολογία
/ Παραδοσιακή κοινωνία
/ Γυναίκα (μοτίβο)
/ Κινηματογραφιστής
/ Κινηματογραφίστρια
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Σημειογραφίες IxTheo: | AD Κοινωνιολογία της θρησκείας, Πολιτική της θρησκείας BJ Ισλάμ KBM Ασία ZG Επιστήμη των ΜΜΕ, Ψηφιακότητα, Επιστήμη της επικοινωνίας |
Άλλες λέξεις-κλειδιά: | B
Iranian Cinema
Femininity
sexuality
Gender
Modernity
Παράδοση
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Διαθέσιμο Online: |
Volltext (Verlag) |
Σύνοψη: | Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and challenges. In this historical context, Iranian women’s body, sexuality, and individuality have been confined within the constitution of religion and tradition. In recent years, however, the new generation of Iranian women is negotiating the notions of femininity, sexuality, and modernity in Iran’s society. Along with this negotiation, Iranian cinema, as the visual showcase of Iranian culture and society, has recently represented an unprecedented portrayal of Iranian women on the screen. This portrayal stems from the gender consciousness of Iranian women who are transgressing the boundaries of gender segregation and inequality. This study, therefore, provides an insight into the social and sexual changes of Iranian women’s lives in today’s Iran and analyzes the representation of these changes in Iranian post-revolutionary cinema, especially the recent decade. |
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ISSN: | 1092-1311 |
Περιλαμβάνει: | Enthalten in: The journal of religion and film
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