Erasmus Birthday Lecture 2015
Erasmus’ famous elusiveness can be linked to a marked preference for media and genres that allowed for a persona, a mask, behind which the ‘real’ Erasmus could disappear at will. This article seeks to identify the literary, rhetorical and above all dialectical patterns Erasmus made use of in order t...
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2017
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| Em: |
Erasmus studies
Ano: 2017, Volume: 37, Número: 1, Páginas: 5-22 |
| Classificações IxTheo: | CD Cristianismo ; Cultura KAG Reforma |
| Outras palavras-chave: | B
Rhetoric
dialectics
disputation
declamation
satire
persona
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| Acesso em linha: |
Volltext (Publisher) |
| Resumo: | Erasmus’ famous elusiveness can be linked to a marked preference for media and genres that allowed for a persona, a mask, behind which the ‘real’ Erasmus could disappear at will. This article seeks to identify the literary, rhetorical and above all dialectical patterns Erasmus made use of in order to separate man and argument and to distance speaker and enunciation. This does not only refer to Erasmus’ familiarity with satirical and rhetorical devices, but also to his ingenious emulation of debating techniques that were common practice among the schoolmen he attacked so fervently. Erasmus’ famous ambiguity and eel-like quality is, at least in some high-profile cases, owed to his ambition of establishing declamation as an equivalent to scholastic controversial formats. Some of his most famous texts are testimony to the attempt of constructing a debating arena in print. |
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| Descrição Física: | Online-Ressource |
| Obras secundárias: | In: Erasmus studies
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| Persistent identifiers: | DOI: 10.1163/18749275-03701007 |
