Beyond the Classic: Lady Gaga and Theology in the Wild Public Sphere
There is a rich vein of theology running through much popular culture as exemplified by the artistic output of Lady Gaga, a discussion of which lies at the heart of this article. Such theological engagement with popular culture, it is argued, is an important task for public theology because this is...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2017
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| In: |
International journal of public theology
Year: 2017, Volume: 11, Issue: 2, Pages: 163-187 |
| IxTheo Classification: | CD Christianity and Culture |
| Further subjects: | B
Lady Gaga
popular music
public theology
public sphere
Habermas
|
| Online Access: |
Presumably Free Access Volltext (Verlag) |
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| 520 | |a There is a rich vein of theology running through much popular culture as exemplified by the artistic output of Lady Gaga, a discussion of which lies at the heart of this article. Such theological engagement with popular culture, it is argued, is an important task for public theology because this is a locus in which theology is already present in the public sphere. This suggests an approach to public theology that moves beyond David Tracy’s notion of the ‘classic’ in the context of hypermodernity. The case for this new agenda is presented in a twofold structure. Firstly, the theopolitical significance of Lady Gaga’s pop art is established. Secondly, a way of conceiving the ‘publicness’ of theological engagement with popular culture is articulated in dialogue with Habermas’ conception of the wild public sphere. | ||
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