“I Have a Voice”: Despatialization, Multiple Alterities and the Digital Performance of Jbala Women of Northern Morocco
The Jbala region of northern of Morocco is one that defies easy categorization, containing dialects, styles of dress and performance genres not found elsewhere. Jbala women, “mountain women”, are often the stuff of folklore and are well known for an inimitable form of local zajal, spoken poetry deli...
| Autor principal: | |
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado em: |
2015
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| Em: |
Hawwa
Ano: 2015, Volume: 13, Número: 3, Páginas: 323-343 |
| Outras palavras-chave: | B
digital performance
women and performance in Morocco
Arab women and online performance
Arab online communities
alterity and performance
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| Acesso em linha: |
Volltext (Publisher) |
| Resumo: | The Jbala region of northern of Morocco is one that defies easy categorization, containing dialects, styles of dress and performance genres not found elsewhere. Jbala women, “mountain women”, are often the stuff of folklore and are well known for an inimitable form of local zajal, spoken poetry delivered in Derrija, or Moroccan Arabic. ‘Ayoua is a form of poetry that is traditionally sung outdoors as a way to help pass the monotony of daily gendered tasks such as agricultural work and herding animals and is also used to venerate local saints. This paper focuses on the shift of ‘Ayoua and Jbala women and the genre of ‘Ayoua as it moves from agricultural fields to small local recording studios to the digital spaces of Facebook and YouTube interviews and concert performances. |
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| Descrição Física: | Online-Ressource |
| ISSN: | 1569-2086 |
| Obras secundárias: | In: Hawwa
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| Persistent identifiers: | DOI: 10.1163/15692086-12341285 |
