Whiggish History for Contemporary Audiences. Implicit Religion in Shekhar Kapur's Elizabeth and Elizabeth: The Golden Age
As James Chapman has famously put it in National Identity and the British Historical Film, historical films are “as much about the present in which they are made as they are about [the] past in which they are set.” This article discusses Shekhar Kapur’s aesthetically ground-breaking Elizabeth (1998)...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
CEEOL
[2015]
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| In: |
Journal for the study of religions and ideologies
Year: 2015, Volume: 14, Issue: 41, Pages: 52-78 |
| IxTheo Classification: | KBF British Isles |
| Further subjects: | B
Elizabeth I
B Otherness B Shekhar Kapur B Implicit Religion B historical film B National Identity B Spain |
| Online Access: |
Volltext (kostenfrei) |