Sonus triplex: von Varros Triaden zur Trinität
Since his early days Augustine was acquainted with the Varronian triplicity of sound (vocalis, semivocalis—mutus). He employed it even in his Enarrationes in psalmos when explaining the musical instruments mentioned in the Psalter. After having explored the allegorical meaning of the instruments men...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2016
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| In: |
Vigiliae Christianae
Year: 2016, Volume: 70, Issue: 5, Pages: 509-534 |
| IxTheo Classification: | CD Christianity and Culture HB Old Testament KAB Church history 30-500; early Christianity NBC Doctrine of God NBE Anthropology |
| Further subjects: | B
allegorical explanation
Augustine
musical instruments
Psalter
Trinity
triplicity of sound
Varro
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| Online Access: |
Volltext (Verlag) |
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| 520 | |a Since his early days Augustine was acquainted with the Varronian triplicity of sound (vocalis, semivocalis—mutus). He employed it even in his Enarrationes in psalmos when explaining the musical instruments mentioned in the Psalter. After having explored the allegorical meaning of the instruments mentioned in particular biblical passages—including the human voice—he interprets their symphony in the final Psalm 150, relating the Varronian triad uoce—spiritu—pulsu to the anthropological triplicity mens—spiritus—corpus as well as to the theological Trinity. | ||
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