Calvin’s Use of the Chevallon Edition of Chrysostom’s Opera Omnia

Research on the relationship between John Calvin and John Chrysostom has been based on Calvin’s alleged use of the 1536 Chevallon edition of Chrysostom’s Opera Omnia throughout his literary career. This article questions the evidence for Calvin’s intensive use of the Chevallon edition by discussing...

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Bibliographic Details
Main Author: Kreijkes, Jeannette (Author)
Format: Electronic Article
Language:English
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Published: Brill 2016
In: Church history and religious culture
Year: 2016, Volume: 96, Issue: 3, Pages: 237-265
Standardized Subjects / Keyword chains:B Calvin, Jean 1509-1564 / John, Chrysostomus 344-407 / Edition
IxTheo Classification:KAB Church history 30-500; early Christianity
KAG Church history 1500-1648; Reformation; humanism; Renaissance
Further subjects:B Calvin Chrysostom marked sections 1536 Chevallon edition Opera Omnia Ganoczy and Müller commentaries Institutio
Online Access: Presumably Free Access
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520 |a Research on the relationship between John Calvin and John Chrysostom has been based on Calvin’s alleged use of the 1536 Chevallon edition of Chrysostom’s Opera Omnia throughout his literary career. This article questions the evidence for Calvin’s intensive use of the Chevallon edition by discussing the opinions that underlie Alexandre Ganoczy and Klaus Müller’s interpretation of the marked sections and their influence on scholars after them. It argues that at best Calvin used the copy in question as one among others only during his last Genevan period. This challenges future research on the relationship between Calvin and Chrysostom not to focus on one edition that Calvin always used to read, but to establish which particular Chrysostom edition or editions Calvin used for each particular work he wrote. 
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