The Intersection of the Human and the Divine in Genesis 32–33
A motif that runs throughout the reunion scene of Genesis 32–33 is the intersection of the human and the divine. The present article highlights this literary theme, exploring structural, linguistic, and narrative resonances that, both implicitly and explicitly, direct the reader’s attention to this...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
De Gruyter
2016
|
In: |
Zeitschrift für die alttestamentliche Wissenschaft
Year: 2016, Volume: 128, Issue: 1, Pages: 30-41 |
Standardized Subjects / Keyword chains: | B
Humanity
/ Divinity
/ Bible. Genesis 32-33
|
IxTheo Classification: | HB Old Testament NBC Doctrine of God NBE Anthropology |
Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) |
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520 | |a A motif that runs throughout the reunion scene of Genesis 32–33 is the intersection of the human and the divine. The present article highlights this literary theme, exploring structural, linguistic, and narrative resonances that, both implicitly and explicitly, direct the reader’s attention to this motif and its significance in these chapters. | ||
520 | |a Un motif qui parcourt la scène de rencontre de Genèse 32–33 est celui de l’intersection entre l’humain et le divin. Le présent article met en évidence ce thème littéraire, en explorant les résonances structurelles, linguistiques et narratives qui, implicitement et explicitement, dirigent l’attention du lecteur vers ce motif et son importance au sein de ces chapitres. | ||
520 | |a Das Moment der Überschneidung von Menschlichem und Göttlichem durchzieht die gesamte Szenerie von Gen 32–33. Der vorliegende Aufsatz beleuchtet dieses literarische Thema, indem er die strukturellen, linguistischen und narrativen Resonanzen erkundet. Sie lenken sowohl implizit als auch explizit die Aufmerksamkeit des Lesers auf dieses Motiv und seine Bedeutung für die Kapitel. | ||
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