Kunst und interreligiöser Dialog: die Ausstellung "Next year in Jerusalem" als Beitrag zum christlich-jüdischen Dialog
In Art- and interreligious Dialogue the author Ursula Rudnick describes and analyzes the exhibition 'Next Year in Jerusalem' as a contribution toward Jewish-Christian dialogue. She characterizes Jewish-Christian dialogue in Germany as one of many asymmetries and challenges. She goes on to...
| Main Author: | |
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| Format: | Electronic/Print Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Peeters
2011
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| In: |
Feminist theology and visual arts
Year: 2011, Pages: 113-119 |
| Online Access: |
Volltext (doi) |
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| 520 | |a In Art- and interreligious Dialogue the author Ursula Rudnick describes and analyzes the exhibition 'Next Year in Jerusalem' as a contribution toward Jewish-Christian dialogue. She characterizes Jewish-Christian dialogue in Germany as one of many asymmetries and challenges. She goes on to describe the project of the Israeli-Dutch artist Joseph Semah who has created 12 pieces of art to be shown in 12 churches in Lower Saxony. The art-objects refer to the Jewish cosmos of signs and traditions, yet, because they are not located in the context of traditional dialogue, they serve to raise questions rather than present answers. Tradition(s) are deconstructed and it is the task of those who attend the exhibition to reconstruct the different elements. Rudnick considers this to be the kind of important contribution art can make to interreligious dialogue. | ||
| 520 | |a En el Art- and interreligious Dialogue (Diálogo de arte y diálogo interreligioso), la autora Ursula Rudnick describe y analiza la exposición 'Next Year in Jerusalem' (El Año Próximo en Jerusalén) como una contribución al diálogo judaico-cristiano. En primer lugar, Ursula Rudnick caracteriza el diálogo judaico-cristiano en Alemania con sus muchas asimetrías y desafíos. Luego, la autora pasa a describir el proyecto del artista judeo holandés Joseph Semah, quien creó doce obras de arte que fueron expuestas en doce iglesias en Lower Saxony. Los objetos de arte hacen referencia al cosmos judío de signos y tradiciones, aunque, contrastando con los marcos tradicionales del diálogo, plantean éstos preguntas en vez de ofrecer respuestas. Las tradiciones se encuentran deconstruidas y es la tarea de los que asisten a la exposición reconstruir los diversos elementos. La autora Ursula Rudnick considera muy importante la contribución del arte para el diálogo interreligioso. | ||
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