Kunst als Sprache der Religion: methodologische Überlegungen
How can an esteemed and fruitful dialogue with the testimonies of modern and contemporary art be carried out by the churches in a secular society that is formed by different world-views and mindsets? How can the manifold positions of contemporary art be at first understood and further be investigate...
| Published in: | Feminist theology and visual arts |
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| Main Author: | |
| Format: | Electronic/Print Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Peeters
2011
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| In: |
Feminist theology and visual arts
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| Online Access: |
Volltext (doi) |
| Summary: | How can an esteemed and fruitful dialogue with the testimonies of modern and contemporary art be carried out by the churches in a secular society that is formed by different world-views and mindsets? How can the manifold positions of contemporary art be at first understood and further be investigated for their religious and spiritual qualities? The article by Monika Leisch-Kiesl is not only based on her many years of examination of these questions as a theologian and art historian, but also on a dispute on the question of the relationship between art and church or art and religion that she guided at a conference five years ago and that she had reflected on since then. As in her own academic work and teaching, the author has always stressed the impact of the right questions and a transparent methodology. Her goal here is also to formulate some basic considerations on the theme of art and religion that has already been discussed in manifold ways. This rather rational statement will also support focussing on gender questions with a helpful methodology. ¿Cómo se puede entrar en un diálogo elogioso y fructífero con los testimonios del arte moderno y contemporáneo en nombre de la Iglesia, en una sociedad secular que está caracterizada por diferentes conceptos del mundo y formas de dar sentido a la vida? ¿Cómo se pueden entender las múltiples manifestaciones del arte contemporáneo, para posteriormente poder indagar sus posibles características religiosas y espirituales? La contribución de Monika Leisch-Kiesl, está basada en su discusión teórica y práctica, de muchos años como teóloga e historiadora de arte, en la que plantea cuestiones sobre la relación entre el arte y la Iglesia y entre el arte y la religión, respectivamente. La autora manifiesta en toda su obra artístico-científica y en su doctrina, la importancia que concede a la formulación exacta de las preguntas y a una metodología transparente. Tomando esta posición más bien objetiva, justifica la puesta a disposición de un instrumento metodológico rentable para – enfocar los asuntos de género. |
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| ISBN: | 904292635X |
| Contains: | In: Feminist theology and visual arts
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| Persistent identifiers: | DOI: 10.2143/ESWTR.19.0.2157465 |