Here Comes the Bride

Although there is no reference to the bride in the Gospel story of the wedding at Cana, the bride was not destined to remain invisible. Following Augustine’s lead, medieval commentators tended to interpret the story in terms of marriage of Christ and Ecclesia, and so the bride figured allegorically...

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Bibliographische Detailangaben
1. VerfasserIn: Clark, Anne L. (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
Verfügbarkeit prüfen: HBZ Gateway
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Veröffentlicht: 2015
In: Church history and religious culture
Jahr: 2015, Band: 95, Heft: 2/3, Seiten: 155-181
normierte Schlagwort(-folgen):B Augustinus, Aurelius, Heiliger 354-430 / Hildegard, Bingen, Äbtissin, Heilige 1098-1179 / Mittelalter / Hochzeit zu Kana / Braut
IxTheo Notationen:HC Neues Testament
KAC Kirchengeschichte 500-1500; Mittelalter
weitere Schlagwörter:B Medieval Christianity wedding at Cana Hildegard of Bingen Augustine manuscript illuminations Bride of Christ biblical interpretation bridal imagery
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Beschreibung
Zusammenfassung:Although there is no reference to the bride in the Gospel story of the wedding at Cana, the bride was not destined to remain invisible. Following Augustine’s lead, medieval commentators tended to interpret the story in terms of marriage of Christ and Ecclesia, and so the bride figured allegorically as a representation of the Church. New ideas about the bride emerged in the twelfth century, particularly in materials associated with women. In the Gospel explications of Hildegard of Bingen, and in texts and pictures created to support women’s devotional practices, the bride of Cana takes center stage as the vehicle for articulating new models of women’s religious identity and aspiration.
Physische Details:Online-Ressource
ISSN:1871-2428
Enthält:In: Church history and religious culture
Persistent identifiers:DOI: 10.1163/18712428-09502001