Möbian Nights: reading literature and darkness

"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--

Αποθηκεύτηκε σε:  
Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Goodhart, Sandor ca. 20./21. Jh. (Συγγραφέας)
Τύπος μέσου: Ηλεκτρονική πηγή Βιβλίο
Γλώσσα:Αγγλικά
Υπηρεσία παραγγελιών Subito: Παραγγείλετε τώρα.
Έλεγχος διαθεσιμότητας: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Έκδοση: New York Bloomsbury Academic 2017
London Bloomsbury Publishing 2017
Στο/Στη:Έτος: 2017
Κριτικές:[Rezension von: Goodhart, Sandor, ca. 20./21. Jh., Möbian nights : reading literature and darkness] (2019) (Astell, Ann W., 1952 -)
Μονογραφική σειρά/Περιοδικό:Violence, desire, and the sacred 6
Τυποποιημένες (ακολουθίες) λέξεων-κλειδιών:B Κρίση (μοτίβο) (Μοτίβο) / Καταστροφή (μοτίβο) (Μοτίβο) / Θάνατος (μοτίβο) (Μοτίβο) / Λογοτεχνία (μοτιβο) / Ψυχική διεργασία
B Girard, René 1923-2015
Άλλες λέξεις-κλειδιά:B Crisis in literature
B Death
B Criticism
B Electronic books
B Death in literature
B Disasters in literature
Διαθέσιμο Online: Volltext (Resolving-System)
Volltext (Resolving-System)
Παράλληλη έκδοση:Μη ηλεκτρονικά
Περιγραφή
Σύνοψη:"Utilizing insights drawn from mathematical topology, from French critical theory and literature, and from Holocaust studies, Sandor Goodhart articulates a new understanding of the relation of literary reading to disaster"--
"Möbian Nights: Literary Reading in a Time of Crisis develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary "aesthetic" assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works "autobiographically", which is to say, in the wake of disaster; with the credo "I died; therefore, I am"; and for which the language of topology (for example, the "Möbius strip") offers a vocabulary for naming the "deep structure" of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics."--
Machine generated contents note: -- Preface and Acknowledgments Introduction: Möbian Turns: Difference as Continuity -- 1. After The Tragic Vision: Krieger and Criticism, Lentricchia and Crisis -- 2. Disfiguring de Man: Literature, History, and Collaboration -- 3. Witnessing the Impossible: Laub, Felman, and the Trauma of Testimony -- 4. Documenting Fiction: Kolitz, van Beeck, Levinas, and Holocaust Witness -- 5. "And Darkness Upon the Face of the Deep": Counter-Redemptive Hermeneutics in Wiesel, Mauriac, Cayrol, Blanchot, Levinas, and Genesis 1 -- 6. Criticism, Literature, and the Möbian -- 7. Literarary Reading, the Möbian, and the Posthumous -- Conclusion: Versions of Night: Reading Literature and Darkness Bibliography -- Index
Περιγραφή τεκμηρίου:Includes bibliographical references and index
Φυσική περιγραφή:1 Online-Ressource (xvi, 329 p)
ISBN:1501326961
Persistent identifiers:DOI: 10.5040/9781501326967